The entrance is also plainer than the rest of the theatre – war broke out and Napoleon III was deposed before the entrance could be decorated. From here, Napoleon III would be mere steps away from the Royal box. The Emperor’s carriage could be driven up into the Palais. Off to the side, you’ll find Napoleon III’s entrance, which was especially designed for him to limit the risk of assassination.
Dark and plain, it provides a welcome rest for your eyes as you wait to be shown to your seat. The Grand Foyer feels like a more opulent version of Versailles’ Hall of Mirrors The Grand Foyer of the Palais Garnier The AuditoriumĪfter the splendour of the grand staircase and the grand foyer, passing through the corridor that separates them from the auditorium seems anti-climactic. The Grand Foyer is decorated in musical motifs and along with the Grand Staircase is one of the most sumptuous rooms open to the public in the Palais Garnier. They have similar designs – a long room along the side of the building with mirrors along one wall and large windows on the other. Walking along the Grand Foyer, you feel like you are in a grander version of the Hall of Mirrors at the Chateau de Versailles rather than in an opera house in the middle of the city. The Grand Staircase at the Palais Garnier The Grand Foyer As you ascend the stairs, it’s hard to know where to look – at the statues and busts that line the doorways, the decorative marble and lamp fittings, or at the painting on the ceiling? Take the time to appreciate the full splendour of the Grand Staircase. You have to stand still for a few minutes to take it all in. The Grand Staircase is almost overwhelming. The rotunda is impressive by itself, but it is nothing compared with the rooms to come. On the ceiling, the intermingled letters spell out the name of the architect: CHARLES GARNIER and the dates of construction: 1861 – 1875. While you are sitting on the circular red velvet chaise, you can imagine men dressed in their finest suits and hats and ladies glancing at their reflections in the mirrors that line the room. Guided tours begin in the la rotonde des abonnés. I booked a guided tour of the Palais Garnier, and was on the lookout for signs of the opera house’s most infamous resident. Having read Gaston Leroux’s book The Phantom of the Opera, and being a fan of Andrew Lloyd Webber’s musical, I was curious to know what the real Paris Opera was like.
Designed by Charles Garnier (who also designed the Casino de Monte Carlo), it is spread over seventeen storeys and contains two ballet companies. The Palais Garnier – home to the Opera Nationale de Paris – may well be one of the most lavish places I have set foot in.
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